Apart from focus mode switching and locking, you also get a focus limiter that prevents the lens from cycling through its entire range. The lens is resistant to dust and moisture and has a fixed length. 1. The aperture is made up of nine blades that produce satisfying sunstars at low f numbers. The widest lens currently available for the Sony a7III, the 12-24mm is very sharp across the frame from f/5.6 onward. It’s one of the fastest extreme wide angle lenses on the market and delivers good quality wide open. Sony FE 90mm f/2.8 Macro G OSS ($1,098): Perfect macro lens for Sony a7 III! Wide angle lenses aren’t renowned for their bokeh. However, you’re getting nuanced focusing capabilities in return. The focus ring doesn’t have fixed end stops. The Sony SEL28F20 FE 28mm f/2-22 is an excellent choice for astronomical photography as well since it has above-average coma correction, meaning that stars and planets aren’t distorted. In this article we’ve tested several travel lenses and pic out the best ones for a7III. At the same time, it won’t hurt your pocket as much too, being that it’s one of the most affordable Sony FE prime lenses out there. It’s the most responsive and versatile lens on review, and its price is reasonable to boot. Sony FE 24-240mm f/3.5-6.3 OSS ($998): The ultimate in convenience. Such an accomplished camera deserves to be paired with only the finest lenses, wouldn’t you agree? Sony FE 55mm f1.8. Ideal for landscapes, architecture, close up portraits, sports, action and much more. Together with Optical SteadyShot image stabilization, ensures beautiful high-resolution results for both still and video shooting. Macro is the way to go when you’re into close-up photography, but the Sony FE 90mm f/2.8 Macro G OSS demonstrates that this is not the only thing it can do. In this article, we’re going to look at the best landscape settings for the Sony A7R III and other full frame E-mount cameras. Lastly, chromatic aberration is present in high-contrast situations but not pronounced enough to matter. Sony FE 16-35mm f/2.8 GM ($2,198): Amazing fast and flexible wide-angle zoom lens! The lens handles chromatic aberration well. A compact, lightweight design makes it manageable for active shooting. It is as sharp as the f/2.8 version for less than half the cost, but not great when natural light is low. The Tamron 28-75mm F/2.8 Di III RXD doesn’t have an AF/MF switch. The best thing about the Tamron 28-75mm F/2.8 Di III RXD is its sharpness. The body is made from aluminum and has a nicely knurled focus ring. It’s a stellar choice for photographers and filmmakers alike thanks to its full-frame sensor, cutting-edge processor, and commendable low-light performance. Sony FE 85mm F1.8. Combine both the ultimate in sharpness with spectacular bokeh, this Sony FE 70-200mm f/2.8 GM lens is an excellent lens without doubt. For these combined reasons, the best modern cameras for landscapes are the Nikon D850, Sony A7riii (buy from Amazon here) and Sony A7iii (Buy from Amazon here). (There won’t be any spam. When Sony first announced the RX1 compact camera with a full-frame sensor, most people in the industry suspected that it would only be a matter of time before the company announced an interchangeable lens version of the camera. Best Overall – Sony FE 70-200mm f/2.8 GM OSS. A super wide aperture of f/1.4 makes it one of the fastest lenses for night sky astrophotography too. Now you can join the facebook group to share your photography and advice, ask and answer questions that arise and help each others! The lens has a dedicated AT tracking chip that keeps it glued to moving subjects for photos and videos alike. With outstanding imaging capability and high-speed performance contained in a compact body, the Sony a7 III (Amazon, B&H, Adorama) mirrorless camera gives you the power, precision, and flexibility to capture once-in-a-lifetime moments just as you like. Sony could have invested more in the FE 70-200mm F4 G OSS’s build quality, especially given its four-digit asking price. Built-in image stabilization has its own switch, as does mode selection you should switch from Normal to Pan when panning the camera. On the opposite end, 75mm is ideal for portraits and astronomy photos. All three lenses share a common aperture rating of f/2.8 and a filter size of 67mm. It’s as sharp as much more expensive alternatives and even has fast autofocus to round out the user experience. If you are ok with manual focusing lenses and are looking for something optically very sharp and at a reasonable budget then the Samyang 85mm f/1.4 is an excellent choice. It’s also among the brightest wide-angle lenses with an aperture of f/2.8 regardless of focal length. For everyone from landscape professionals to those who want to just dabble in wide-angle photography, this Sony Zeiss FE 16-35mm f/4 is one of best FE-mount lenses: impressive sharpness, fast focusing, reasonable levels of distortion, and a weather-sealed build for protection from the elements. Still, images retain a respectable resolution that only gets better as the aperture decreases, reaching a sweet spot at f/8. The first super-telephoto zoom in Sony’s flagship G Master series covers a versatile 100mm to 400mm range with outstanding sharpness, fast AF and compact design. It features fast, precise, quiet DDSSM autofocus, and close-up capability up to 0.25x magnification. The 14-24mm f/2.8 DG DN Art is built to last and has no trouble keeping up with the a7III’s sensor. The lens employs dual motors to keep autofocus quiet and on point. Rokinon AF 35mm f/1.4 FE ($799): The new ROKINON 35mm F1.4 AF Full Frame lens for Sony E is designed to appeal to enthusiasts and professionals who are ready to take the next step up in wide angle photography where outstanding image clarity, contrast, color fidelity, high corner to corner resolution are priority. You can control the Sony FE 70-200mm F4 G OSS minutely thanks to several physical switches and buttons. There’s noticeable light fall-off only at f/4 when shooting in RAW. Aperture ring designed for still or movie shooting, Corner to corner sharpness w/Advanced Spherical elements. The latter two offer a refreshing take as the subject is framed surrounded by much background. Bokeh is never going to be a consideration of much importance when purchasing a lens this wide. Hands down. Zeiss Batis 85mm f/1.8 ($1,199): An ideal portrait-length lens, this Zeiss Batis 85mm short telephoto has been designed specifically for full-frame E-mount mirrorless cameras: superb sharpness, fast & quiet auto focus and Dust and weather sealed. Designed as the ultimate portrait lens, the new Sony FE 85mm F1.4 GM telephoto prime lens strikes a perfect balance between resolution and bokeh in a compact package. The fast f/1.4 maximum aperture provides very effective low light capability and shallow depth of field control. CLICK HERE FOR THE LATEST PRICE OF THE SONY 16-35MM F/2.8 2. To be upfront and open, Sony paid our way and provided us with a very jammed-packed few days of using the Sony a7III in real life (or as near real life) situations. ZEISS Batis 18mm f/2.8: A Must-Have Prime Lens As I noted in this article last week, the ZEISS Batis 18mm f/2.8 is a killer lens that has a boatload of features: Going for bokeh at f/2 isn’t a good idea, however, since its edges suffer from color fringing. Sony FE 85mm f/1.4 GM ($1,798): The top FE portrait lens! Rokinon 100mm f/2.8 Macro ($549): Featuring a macro design, this Rokinon 100mm f/2.8 Macro lens affords a 1:1 maximum magnification ratio along with a minimum focusing distance of 1′. And unlike most zoom lenses, the 16-35mm f/2.8 GM has received almost unanimous praise. There’s a switch to toggle between focusing modes and a focus lock button. Sony Zeiss FE 55mm f/1.8 Sonnar T* ($998): One of the sharpest lenses ever! It doesn’t move when focusing, so you can attach and use polarizing filters. 3D Insider publishes news, tutorials, and reviews about the latest emerging tech. This makes it useful for portraits and sports photography where you want to separate the subject from the background. Rokinon AF 14mm f/2.8 FE Lens ($849): Designed specially for the unique rear element to sensor distance of Sony E mount full frame mirrorless cameras and with a bright f/2.8 maximum aperture, the Rokinon 14mm F2.8 AF achieves optimal performance with reduced size and weight. The bright f/1.4 maximum aperture takes the stress out of working in lighting conditions, and provides shallow depth of field for greater point of focus control. The Sony 85mm f/1.8 is the best value prime lens for photographers who have a bit of distance between them and their subject. Below are the top recommended lenses for Sony a7 III mirrorless camera based on high image quality, good price and usefulness, including leading prime and zoom options from wide-angle to telephoto. Fast f/1.8 maximum aperture benefits working in low-light conditions and also offers extensive control over depth of field for selective focus applications. It also means you have to fiddle with the a7III’s menus instead of simply flipping a switch when changing focus modes. It acquires targets fast, but you should use the a7III’s continuous focus mode for optimum results. We pomise.). It is silent and responsive, so you can shoot videos and not worry about autofocus sounds ruining your scene. For those who frequently shoot macro photography and close-up portraits, the Sony 90mm f/2.8 is the very right lens: excellent sharpness, depth of field, and color rendition. Explore each of our choices and get even more awe-inspiring results from your camera. UMC anti-reactive coatings, three Aspherical and two ED lens elements combine to attenuate chromatic and spherical aberrations for outstanding image clarity, contrast and color fidelity with high resolution from the center to the corners of the image. I’ve also included various tips and sample images taken over the years with various Alpha mirrorless models. The Sony FE 24mm F1.4 GM is a wide angle lens for Sony a7III that covers an image circle of approximately 32mm. The Sony FE 90mm f/2.8 Macro G OSS is another lens that handles color fringing exceptionally well. Coupled with image stabilization from it and the camera, this produces smooth results and rapid target acquisition. When shooting on an APS-C camera the lens is … What lenses are best for the Sony A7iii and which ones should you buy? You’ll want to avoid compositions that include the sun because of lens flares, but cranking the aperture down to f/22 does produce eye-catching sunstars. Ideal for architecture, landscape, and interior photography, this lens’ 82° angle of view pairs with a 7.9″ minimum focusing distance for producing creative perspectives and unique close-up imagery. Compared to Sony Zeiss FE 55mm f/1.8, it has better low light performance and bokeh: excellent image quality, superb sharpness, smooth bokeh and well built. This option’s standard 50mm focal length allows for versatile performance in a range of situations and gives you the ability to capture sharp, clear images thanks to the aspherical and hybrid aspherical lens elements. Best Lens For Sony a7iii: Final Thoughts These five lenses are just the tip of the iceberg when it comes to options for the Sony a7iii. You might want to look for another lens if you’re an action-oriented filmmaker since it takes long to focus on subjects in low light when in video mode. The 50mm lens is what used to be called a “standard” lens, though perhaps a very slightly shorter focal length gives the absolutely most natural perspective. Sony FE 24mm f/1.4 GM ($1,398): Highly recommended!Combining a favored wide-angle focal length with an especially bright design, the FE 24mm f/1.4 GM from Sony is a fast, versatile lens well-suited to landscape… You can remap the button’s function to something like turning Eye AF or other frequently-used settings on instead. However, you should expect to see both noticeable corner-softness and vignetting when shooting at its widest aperture. To something like turning Eye AF or other frequently-used settings on instead weather is. Rxd is its sharpness hunting even in low light capability and shallow depth field. Entirely and minimize the light fall-off only at f/4 when best landscape lens for sony a7iii outdoors near perfect all-around with. A tighter view of a macro lens’ defining features, and close-up capability up 0.25x... 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